Thursday, March 15, 2012

Atticus Books on "Being Indie"

On "Being Indie" is a monthly feature hosted here on TNBBC. We will meet a wide variety of independent authors, publishers, and booksellers as they discuss what being indie means to them. 



Meet Dan Cafaro. Dan is the founder and publisher of Atticus Books, one of my favorite small indie publishing houses. They have a great catalog, with books such as The Bee-Loud Glade by Steve Himmer and Three Ways of the Saw by Matt Mullins creating quite the stir.

He also founded the weekly online journal Atticus ReviewDan is no stranger to print and digital publishing. He has 20-plus years experience in the field and has commissioned the work of more than 100 book authors in various genres.

Did you know he was once owner and operator of Chapters Revisited, a quaint brick-and-mortar bookshop in Doylestown, Pa.? And now, he has partnered with TNBBC to share with us his impressions and ideas regarding the question I love asking... What does "Being Indie" mean to you? Take it away, Dan....





This Year's Model:  Being 'Interdie'
By Dan Cafaro


"There's no such thing as independent bookselling.  Who are we fooling?  We have every one of us been dependent from the day we were born.  Interdependent.  That's what being a person means.  None of us exists without all of us." — Andrew Laties, author of Rebel Bookseller

This beginning quote speaks directly to all of us who have chosen literature as our manna and the written word as our pulpit—publishers, authors, bloggers, and booksellers.  In the same vain that David Foster Wallace succinctly dismissed atheism ("In the day-to-day trenches of adult life...there is no such thing as not worshiping.  Everybody worships.  The only choice we get is what to worship."), I dismiss independence.  The only choice we get is how to be dependent.  As entrepreneurs.  As artists.  How do we help each other advance and how can others help in return?

At Atticus Books, we rely on the same creative juices, resourcefulness, and sheer force of will that keep the "big six" book publishers alive and relevant.  Our world is filled with the same abundance of wildly talented writers and our mission is largely the same: to tap into the imaginative wellspring of the creative community and strike flint to a concealed geyser.  Discovery is our mission.  Small, life-sustaining revelations, the narrative threads that fill our holy grail.

Where we differ primarily from our dense, gargantuan brethren is in our role and responsibility as curators.  We interdependent small presses mostly set foot on trails guided by muses—and we tend to make our way on instincts and nuance.  Contrastingly, the big six frequently depend on clearly defined roadmaps, established mileposts, and spreadsheet-driven trail marks. 

Our novelists breathe the same air as those who follow all the ground rules, only the liquid that our authors pass around the campfire often comes straight from the tap.  It's served less distilled than what typically ends up being screened, mass produced, and packaged by the majors.  Not always, mind you.  The majors are damn good at what they do.  They don't do it less honestly or earnestly; they're just more contrived.

We at Atticus like the taste of toxins in our water.  What doesn't kill our writers makes them stronger, bolder, more eager to experiment.  And fail too.  We admire writers who understand that failure is all part of growing literary skin.  For word alchemists, failure is not only an option, it's a rite of passage, a badge of honor.

"Being indie" means allowing yourself the freedom to flip the bird without fear of repercussion.  "Being interdie" means supporting the freaks who fly their flags and encouraging them to frolic among us.  "Being interdie" means not only recognizing those who deserve to walk tall and proud, but revering those whose voices demand our attention, even if they crumple and shriek at the mere thought of publicity. 

"Being indie" means thumbing your nose at conformist society and peacefully coexisting with even misanthropic artists whose eccentric spirits are vital to our culture.  "Being interdie" means proactively finding a welcoming tribe, such as Fictionaut, that celebrates diversity and feeds off the collective energy and imagination of the commune.

For the literary arts to prosper in 2012 and beyond, it's essential for the "indie presses" to reinforce the importance of thinking holistically.  Altruistically.  Interdependently.  It's not that last year's indie model is broken.  We've always known that we're nowhere without each other.  It's just high time that we add a layer of clarity to the indie concept and embrace—nay, proclaim—our interdependence.

The indie spirit is stronger than ever.  If we can combine intellectual forces with our brothers and sisters in letters, there's no saying how far our fictional offspring can travel.

 

   

The Lucky Man Re-Release and Giveaway

Happy 5 Year Anniversary and Upcoming Re-Release
 to Ben Tanzer's debut novel


How many authors can say that they were able to give their debut novel new life around the very day that it turned 5 years old?! By my count, only one. The Tanzer-man can! 

Initially published by Manx Media exactly 5 years ago today, the only way you can get your hands on an original printing is by buying it used. It's been out of print for quite awhile, which is why I was thrilled to near-tears when I heard that Artistically Declined Press had picked it up with their new imprint Antler Editions. (ADP's founder and publisher, Ryan W Bradley, designed the gorgeous anniversary cover you see up above.) It's anticipated re-release is scheduled for sometime this April. You can pre-order here. 

I've read just about everything Ben Tanzer has put out, which is saying a lot because the dude is like a literary machine, cranking out amazing stories every... what... 2.8 seconds? It's simply not human. When I think of Ben, I used to picture a man sitting at a table, a week's worth of beard and beaded sweat covering his face, scratching a pen furiously, feverishly, over sheet after sheet of paper, flipping them violently to the side as they are filled up with the words that have been beamed down from his brain through his arm into his hand and out of those fingers wrapped so tightly around the pen that they are bruised and blistering....

I've since had the pleasure of meeting Ben in the flesh and blood in NYC a few months ago, when he and Greg Olear did a reading at the KGB Barand now know that he is really nothing like that. Or if he is, he hides it well when out in public! 

Ben and I have been online pals for awhile, so it fills me with an incredible amount of joy to help him celebrate Lucky Man's new lease on life. We've been obsessively supporting each other's efforts for a few years now. Case in point - the 2010 interview when I interviewed Ben after reading Repetition Patterns; the previously unpublished short story he submitted to our Tell Me a Story series, which was then published (with acknowledgments) in The Party Pit, his companion guide to You Can Make Him Like You. Ok, so you get the gist of it, yes?

I'm especially excited about this particular release, not just because it's Lucky Man's second chance at cementing a cult readership but also because it's bringing Ben back together with Ryan and ADP. No author or publisher have ever been better suited for one another than these two!

Alright, yes, I know... I am getting dangerously close to gushy. So let me reign this post in by sharing a very special giveaway with you. 

In order to properly kickoff the Lucky Man re-release, 
we have cool package for one very lucky winner.... 


One set of the following titles.... SIGNED by Ben Tanzer

Most Likely You Go Your Way and I'll Go Mine
You Can Make Him Like You
My Father's House
Lucky Man

Tell us why these copies should go to you!
Winner will be announced March 21st.

Sunday, March 11, 2012

Audioreview: The Cry of the Sloth

Listened 2/24/12 - 3/5/12
3 Stars - Recommended to readers who prefer books with a protagonist that will make them feel like less of a failure.
Audio Download (approx 6 hrs)
Publisher: Iambik / Coffee House Press
Narrator: Charles Bice

We know it's hard to be honest with yourself. Especially when you're a middle aged man desperately trying to keep your small literary magazine afloat while adamantly ignoring the fact that you are flat ass broke.

And we know how difficult it can be to look around and realize that you are fighting a losing battle, a battle that no one else cares about - or perhaps even knows about - yet feeling completely unable to throw in the towel.

The Cry of the Sloth is the story of Andrew Whittaker, a complete and utter failure at everything he ever attempted to be.. a son, a father, a husband, a writer, an editor, a landlord, even a pervy flirt. It is told entirely from Andy's point of view in letter after letter to his tenants, his ex-wife, his mother's caretakers, the bank and phone companies, old acquaintances, and potential contributors to his one man literary magazine "Soap". Sometimes sarcastic, other times quite pathetic and woe-is-me, it's no surprise that Andy is running extremely low on funds... sitting around the house, incredibly sloth-like, only bothering to leave the house when he needs more groceries or mails his never-ending correspondences.

He's got these grandiose plans for saving his magazine, a festival-like fundraiser of sorts, complete with awards, music and food, and would you believe it....even an elephant or two! As he attempts to make this fever dream a reality by pitching it to other professionals and begging some money off of them, he ignores his tentant's complaints about the poor living conditions. Andy has the gall, at one point, to blame the leaking ceiling one man writes about on his own fat wife, claiming that she must be filling the tub too high with water and then plopping her heavy body into it, causing it to spill over the edge and drain down into the ceiling tile!

He is also terribly aware of the fact that no one takes him seriously. The papers shove each other out of the way to bash him when he makes an ass out of himself at various literary functions. A teenage would-be-writer teases him ruthlessly over a period of months, back and forth in response to his letters, sending photographs of herself dressed provocatively, then writing about her boyfriend (the photographer). And he knows his stories, which are horrendous and the worst part of the book, will never see the light of day.

The stress and aggravation of it all, of not being able to pay his bills - the nerve of the phone company shutting off his phone, to hell with the bank for not allowing him to fall behind in payments - of living alone, of simply being him, seems to finally be affecting his health. In letters to various colleagues, he begins to confide that he fears he is losing his mind... forgetting where he has placed things, turning the house upside down, only to find the very thing he was searching for three days later, sitting right out in the open, as though it had always been there. He's got a noise in his chest and by god, if he isn't hearing static in his head now....

How do I always end up choosing books with incredibly fucked up protagonists. I must have a thing for damaged guys. i'm serious. I am beginning to wonder if it's some sort of sick comfort thing for me.

Ok, so since I "read" this as an audio, let's talk about the narration. Iambik's narrator, Charles Bice, did a pretty decent job of conveying our Mr. Whittaker's frustration across my car speakers. The veiled sarcasm - something Andy really prides himself on - the mini freak-outs... Charles definitely seemed to have gotten inside the character's head. There were times he had me shaking my head in embarrassment for Andy, while other times I wanted to reach out and throttle him for being such a complete ass. The book itself is one of the shorter ones I've listened to, and Bice's voice, though it's hard for me to recall in my head at this very moment, blended very well with the narrative voice I imagine Sam Savage might have had in mind as he wrote it.

Now, having said all of that, when the audiobook finally came to an end, I was left with no strong feelings either way for Andy, the narrator, or the book as whole. Maybe it has something to do with the way it just seemed to end... without actually ending. There really was no sense of closure, no great climax, no moment of revelation or resignation. Yet, I wasn't upset about that, as I typically would be. I didn't feel cheated. I didn't feel angry. I didn't really feel much of anything.

I am not sure what to make of that.

Saturday, March 10, 2012

Reason #284 to Love Indie Authors - A Twitter Story

Ever wonder what would happen if you asked twitter for proof of your own existence? Well, if you're me, it might go a little something like this....

If you tweet that sometimes you just want proof of your own existence, you might have an indie author-slash-publisher tweet you a request to send him a photo of yourself so he can send it back with a picture of him giving it the thumbs up.

If the indie author-slash-publisher tweets you with a request of a photo, you might decide to tweet a photo of yourself across the twitterverse. 


If you tweet a photo of yourself across the twitterverse, said indie author-slash-publisher might actually tweet you back a photo of his thumbs up in front of the photo of yourself.


If said indie author-slash-publisher tweets you back the photo of his thumbs up in front of the photo of yourself, you might tweet him a thanks for the proof and the approval.

If you tweet him a thanks for the proof and the approval, another indie author might just wipe out the proof altogether.


If said other indie author wipes out the proof altogether, you might just find yourself with your mind blown.


*indie author-slash-publisher is the awesome Ryan W Bradley
*other indie author is the equally awesome Steve Himmer
*this is why I love indie authors!

Indie Spotlight: A.J. Scudiere

Where my audio-fans at? Ever wish your audiobooks had a little something extra to them? Would you consider listening to an audiobook that sounded like it came right off the movie screen?

A few months ago, Marissa DeCuir of JKSCommuincations began talking to me about one of her authors, A.J. Scudiere and the AudioMovies she was releasing. Intrigued, and wanting to hear more about them, I decided this was the perfect opportunity for a little spotlighting. Here's Marissa herself, with an intro....



A.J. Scudiere is all about pushing boundaries and finding new stories to tell - and just as fun for us readers - new ways to tell those stories.

Before you check out her guest post below (thank you Lori for having us today!), there's something you should know about the award-winning suspense author. Yes, her novels are awesome. Yes, you can buy them in print and ebook format. But what is so cool and unique about A.J. is that she's on the cutting edge of the AudioMovie industry.

Now I love regular audiobooks, but A.J.'s AudioMovies are so much more than a story being read aloud. I'm talking full on movies with sound effects, actors, a score - and they remain unabridged!

You can buy her AudioMovies at iTunes, Audible.com and her website www.AJsAudioMovies.com, where you can not only find them on CD and digital download, but also USB. Check out the special edition USB swords (Vengeance) and bracelets (Resonance) - and the adorable Utukku creature (God's Eye).

Enough from me, let's hear from the talented author herself, A.J. Scudiere!



Write what you know?
No, know what you write!

If authors only wrote what they knew, the world would be missing entire genres of literature: such as fantasy and sci-fi and possibly even romance. So, clearly, we cannot use the old adage as a rote rule. The whole point of writing fiction is to move beyond the boundaries of what we see in our everyday lives. In order to put the first word on the page we have to believe in something beyond what we know.

Still, there’s far more than a grain of truth to it. The best sci-fi often comes from writers with an earthly scientific background and great fantasy reaches out to other worlds but maintains relatable characters and conflicts. But what happens when you need a relatively ‘real’ reality, but don’t know facts behind what you’re writing about? Well, get some advisors and go research!

With my first novel, Resonance, I read every polar shift theory I could find and incorporated my years of college science. For Vengeance, though I did not go out and murder anyone (thank goodness it doesn’t have to go that far!) I did practice shooting two-handed until I could put a perfect hole in a windpipe or a kidney. I consulted with a gun shop owner and a martial artist and I broke into my own home numerous times. I made sure all the feats Lee and Cyn accomplished were plausible. For God’s Eye, I re-read Dante’s Inferno, studied texts of ancient demon and angel myths and started learning Latin.

It was during this research that I suddenly hit a wall I hadn’t hit before: I discovered that I couldn’t learn enough Latin in the time frame I had for writing the book.

I’m a huge believer in another old adage: Ask and so shall ye receive. You can find anything if you ask around, but you have to keep asking. (Evidence: it took me five months to find a Fire Department that would let me do a ride-along in preparation for my fourth book, Phoenix, but I found an amazing one. Thank you South Columbia Fire and Rescue!) And it took a while to find my Latin scholar, but I did.

Beau Henson was more than happy to put his fluency in a nearly-dead language to work for my book. He gladly emailed back and forth (and back and forth and . . .), answering all my questions about dual meanings and what to do with certain messages because no language translates directly to another. He corrected the interpretations I gave to my character Margot and even gave me a Latin phrase she could easily misinterpret.

I know there aren’t a lot of people out there critiquing the words of the Angels and the Demons in God’s Eye. But it’s important to get it right for the readers who DO understand it. I love when a fan comes up and says “So Margot is equivalent to the ancient Shaman character in the journey myths?” and I can say, “Yes, she is”. I smile if someone tells me they don’t think Lee (from Vengeance) can shoot two-handed with that kind of accuracy. I respond with “Actually, I’m pretty close. And that’s with just two months of practice.” I’m a firm believer that a person could use Vermonttechnique to get as good as Lee.

So you don’t have to write what you know; fiction should be limited only by the writer’s imagination. But those dreams in the clouds need foundations under them. The best writers learn. And by the time that first word goes down, they know what they write . . .

Author Bio: 

For A.J., texture reigns supreme.  Whether it’s air or blood or virus, it can be felt and smelled.  School is a privilege and two science degrees (a BA and MS) are mere pats on the back compared to the prize of knowledge.  Teaching is something done for fun (and the illusion of a regular paycheck) and is rewarding at all levels, grade school through college.  No stranger to awards and national recognition for outstanding work as a teacher, trainer and curriculum writer, like most true teachers, the real joy for A.J. is in the “oh!” - the moment when the student sees the connection and it all makes sense.

A.J. has lived in Florida and Los Angeles among a handful of other places.  Recent whims have brought the dark writer to Tennessee, where home is a deceptively normal looking neighborhood just outside Nashville. Follow A.J. on Twitter: @ajscudiere or at Facebook.com/ajscudiere. Find a sample of the audiomovie for God's Eye here .

Thursday, March 8, 2012

The Immortal Re-Release & Giveaway

Happy Release Day, Immortal!
You've got a second lease on life.....



I am delighted to announce the re-release of Gene Doucette's debut novel Immortal. It's not every day that an author gets the opportunity to see his book through a second edit, outfitted with a new cover, and released under a new publisher - The Writer's Coffee Shop! Dare I say that Immortal is truly... immortal now?

Gene and I had the pleasure of a face to face meeting (the details of which can be found below in Gene's guest post) this past fall at the Indie Book Event. Prior to this, I had read and reviewed - and was even blurbed in - the first edition of Immortal. Prior to that, Gene was given a good ole fashioned TNBBC schooling in the do's and don'ts of pitching your novel on Goodreads. Oh how far we've come, huh Gene?

Today, to start things off with a BANG!, I thought I would have Gene talk to you about the pros and cons of indie publishing. Consider this an On "Being Indie" Special Second Release edition....

Take it away, Gene....



Why Indie

So for this, the first leg of the Immortal (second edition) blog tour, Lori asked me to write a guest blog post on any of the following subjects: What being an Indie published author means to me; why I publish Indies; why people should read and support Indies; what the partnership between an Indie publisher and an author looks like.

This is, of course, a trap.

Lori and I met face-to-face this summer for the Indie Book Event in New York City at a time when I was trying to interest people in buying the first edition of Immortal and she was trying to act like a charming and informative book reviewer / blogger.  Only one of us succeeded. 

At this event I was asked to take the microphone for a while and discuss my experiences as an Indie author, which was a tremendous mistake for all involved, as I proceeded to articulate the following point: Why in the hell would anybody willingly choose to publish Indie?  I then spent the next twenty minutes depressing everyone in earshot in what turned out to be a droning monotone that resulted in my being nicknamed Eeyore for the remainder of the day.

Anyway.  I had a point that day that was unfortunately lost in the dark pit of despair I brought to the stage with me.

But first, here are some truths about Indie publishing as compared to the larger publishing houses:

·         You will likely have more input and creative control over the packaging of your book and how it is marketed
·         You are more likely in general to find someone willing to publish your book
·         Slow sales will not doom you
·         Your book will probably only go out of print if the publisher ceases to exist

These are all good things.  Here are some bad things:

·         Creative control over the marketing of your book may mean you’re the one doing all of the actual marketing
·         Niche/small market publishers go out of business all the time
·         You will have to live with limited distribution, and get used to saying, “no you can’t find it in the bookstore, but it’s available online”
·         You won’t, in all likelihood, be quitting that day job

About Immortal

Another question Lori asked me to consider fielding was, “why a second release of Immortal?” and the answer to this question might give you a better idea of where I’m coming from.

As you might know, Immortal was originally released in October of 2010.  That first edition was with a brand-new publishing company consisting of one full time employee and one unnamed financier.  The understanding was that additional employees would soon be added to help sell, market, edit, web design, and all of the other things a publishing company is supposed to be able to do.

A year later, there was still only one employee.  What marketing had been done for Immortal was handled by me entirely, as was the ebook formatting for both Amazon and Smashwords editions.  The cover was designed by an artist I had found, the press releases were commissioned by me, the only media page on the Internet for the book was on my website because the publisher had never put up a site.  And so on. 

And after that year, it was time for me to roll out the second book (Hellenic Immortal) before the people who’d read the first forgot about me entirely.  But it was clear my publisher wasn’t going to be able to follow through on any of the promises—staff, marketing, etc.—to handle the next book.

So I found another publisher for Hellenic Immortal, and then notified the publisher of Immortal, and asked: “would it be possible to re-obtain the rights to Immortal so my new publisher can release it as well?”  After all, the best way to sell a book is to sell the next book, and I wanted one company to be able to promote both.  I was expecting a cost quote in response.  What I got instead was, “the rights are yours.”

And that’s how we got here, with a new edition rolling out next week.

Back to my point

When I questioned why anybody would willingly choose publishing Indie given the option of instead going with a large house, I was speaking with the weight of a year’s worth of rescinded promises and urgent, exhausting self-promotion on my shoulders.  And maybe that was unfair to Indie publishing in general, because mine was an experience not likely to be recreated.

That said, I stand by the basic assertion that no new author I can think of would turn down a contract with, say, Random House, to go with the niche company down the street.  But this point obscures the more pertinent one: most Indie authors aren’t going to get published by a Random House because they don’t write things Random House would want to publish.

This is neither a dig on the big houses nor a commentary on your writing, or mine.  It’s simply that the more money there is at stake, the more important a “sure thing” becomes.  For any publisher, it’s not enough that a book is well written; it has to be sellable.  In other words, a large publisher devoting significant funds and resources to selling a book has more to lose than an independent publisher with limited funds and fewer resources.

So if you’ve put together a novel that has genre problems, as I did, the publisher that’s most likely to say, “it’s well written; we’ll figure out how to sell it later” is going to be an Indie publisher.  And if the publisher that said that had instead been one of the larger houses?  I would have jumped at it.  And I think so would you.


Now for the fun part!
To celebrate it's re-release
We are giving away one copy of  the Immortal eBook.



Simply comment below to be considered.
Giveaway ends March 14th.



Bio:

In addition to ghost writing for an immortal man, Gene Doucette has been published as a humorist with Beating Up Daddy: A Year in the Life of an Amateur Father and The Other Worst Case Scenario Survival Handbook: A Parody. He is also a screenwriter and a playwright. Gene lives in Cambridge, MA with his wife and two children.

Tuesday, March 6, 2012

It's Avatar Madness, I Tell You...

Avatar: An embodiment or personification, as of a principal, attitude, or view of life.
             A graphical image that represents a person, as on the internet.


Say hello to the newest TNBBC Avatar! Ain't he a cutie?


This little guy comes to us courtesy of author Goodloe Byron. After checking out sketches similar to these on his Facebook page, I was instantly curious to see how he would depict TNBBC and figured I'd never know unless I asked. So ask I did. And within a day, he posted this dashingly bookish young man to my Facebook page. I love how our name is the pedestal from which he's giving the thumbs up to an obviously amazing book - reminiscent of those newspaper boys who stood on egg crates at the corners of the NYC streets back in the day, calling out to the crowds "Newspaper! Get yer newpaper here!"

I decided to temporarily retire my tried and true avi (the little handmade stick figure sitting on the bench with his nose in a book) from Twitter and proudly parade this guy around Twittertown for a bit. I hope you like him as much as I do. 



You may also have noticed this cool new TNBBC header, which we whipped out when our Facebook page switched over to the timeline format. This one comes to us from the incredibly talented Ryan W Bradley - author, poet, small press publisher. There is nothing this guy can't design. He's got a whole line of prints that I greedily wish I owned, but I ended up settling for this one - his redesign of Hemingway's The Old Man and the Sea. You can find the rest of his stuff over at Aesthetically Declined Design. Whoa, I totally just turned myself into a RWB whore for a moment there. I digress! 

This cool header design came compliments of Ryan one night when we were chatting over Twitter. I've actually got a couple more from him, but I'm planning to release them into the wild oh-so-very-slowly... so you'll just have to keep following us around...

We are always grateful to those who willingly and lovingly show their appreciation and devotion to us through amazingly designed and incredibly free avatars and headers 
(coughcoughThisIsTotallyAHintcoughcough)
which we promise to display in some way, shape, or form on our blog, goodreads group, twitter account, or Tumblr page. Just sayin'. 

Friday, March 2, 2012

Indie Book Buzz: Artistically Declined Press




It's a great day for some Indie Book Buzz here at TNBBC. Over the next few weeks, we will be inviting members of the indie publishing houses to share which of their upcoming 2012 releases they are most excited about!


This week's pick come from Ryan Bradley,
Co-Founder and Publisher for Artistically Declined Press



Temporary Yes by Kat Dixon
(Feb 2012)

First up for 2012 we have Kat Dixon's debut full-length poetry collection, Temporary Yes, released on February 21. I can't fully explain the effect that Kat's writing has on me, but I think the biggest compliment I can pay her as a writer is to say that whenever I read her work I am compelled to write. Not too many writers have that effect on me with the consistency she does. I didn't know anything about Kat or her writing when I first started reading her work online, but I was instantly hooked and am honored to have gotten to know her over time. So I am pleased as punch to be able to bring Temporary Yes to print. It is full of beautiful words, whimsy, surrealism, confession. It is everything poetry should strive to be.


Lucky Man by Ben Tanzer
(March 2012)

Our second release of the year comes hot on the heels of Dixon's book, because it will mark a special occasion. That occasion, March 15, is the 5th anniversary of the publication of Ben Tanzer's debut novel, Lucky Man. This re-release will also introduce the first of two new imprints. Antler Editions will focus on anthologies and career-spanning/celebrating releases, such as reprints, collected works and more. 






The Recliner Anthology of Poetry

While we are still shoring up the rest of the 2012 catalog, I can say we've got some surprises. We are working on two anthologies, both of which are still being built in terms of contributors and content. The Recliner Anthology of Poetry, which already includes stellar poets such as Molly Brodak, Shaindel Beers, b.l. pawelek, and Abby E. Murray. And for which I've included the first peek at the cover! We are also working on a very exciting, currently untitled anthology of fiction edited by Tanzer. I don't want to give too much away about this one, but I will say it's unlike anything offered by other small presses. We are hopeful that both these anthologies will release late in the year. 




Twin Antlers Imprint

There's also a book of collaborative poetry in the works that will launch the second of our of two imprints we're working on. The Twin Antlers imprint will be devoted solely to collaborative works, and the first title will appear this summer. And we also hope to do our second "Pop Up Release," but in the nature of that project we can't really talk about it. 







Bio: 

Ryan W. Bradley has pumped gas, fronted a punk band, done construction in the Arctic Circle, managed an independent children's bookstore, and now splits his time between opening boxes and designing book covers. He is the author of two chapbooks, AQUARIUM (Thunderclap! Press, 2010), MILE ZERO (Maverick Duck Press, 2011), and a story collection, PRIZE WINNERS (Artistically Declined Press, 2011). His debut novel, CODE FOR FAILURE is due from Black Coffee Press, March 27, 2012. He received his MFA from Pacific University and lives in Oregon with his wife and two sons.




So what do you think guys? See anything that catches your eye? Which of these things are you most excited to see release? Help TNBBC and Artistically Declined Press spread the buzz about these books by sharing this post with others!

Thursday, March 1, 2012

Tell Me A Story: Jesse Jordan



Welcome to another addition of TNBBC's Tell Me A Story. 

Tell Me a Story is a monthly series that features previously unpublished short stories from debut and Indie authors. The request was simple: Stories can be any format, any genre, and any length. And many amazing writers signed up for the challenge.



This month's story comes from Jesse Jordan. Jesse is a writer and editor currently living in the suburbs of Chicago. He is an MFA graduate of Columbia College and a member of Chicago’s “Reading Under the Influence.” His short stories have appeared in numerous publications and Gospel Hollowis his first novel.


Gospel Hollow is "set during five days of a punishing Chicago blizzard, Gospel Hollow follows the clumsy and desperate investigation of Tommy Hull as he digs through the lies and silence of his remaining family to get the answer to the most pressing question of his life: what happened to Alice Hull on that cool September night fourteen years ago?" *goodreads


Today, Jesse shares an excerpt from  Gospel Hollow .....

Everett’s a cop—a detective, I think—and a regular at Mary’s, the bar I work at. He’s a steady drinker, one of those four-nights-a-week guys with perfectly shined shoes and crisp lines in their suits. A sharp, quick guy with a quiet, dry sense of humor. He’s always seemed too substantial and discerning to be downing drinks in a dive like Mary’s, but maybe he knows something I don’t. I’m not complaining, you understand, I’m happy to have him. I can see him balancing cocktails and Marlboro Lights while he lectures me on nanotechnology or film noir or the problems with marrying a redhead.

I remember him looking at me that night.

Everett, Everett, Everett.

Everett was the one who gave me the idea. He set this whole thing in motion. One night, about four months ago—it was a weeknight, I remember that—he came in. He was all off that night, all wrong. His hair was askew and hanging partially over his face, its usual lines corrupted by stray eruptions. His suit looked wrinkled, his tie loosened, and his off-white shirt appeared to have three small drops of blood just right of center on his belly. His perpetual cool energy was gone, all blips and blaps like he was wearing a suit of my anxiety, and instead of his normal Jack and Coke he ordered two shots of Jack and a Heineken upon collapsing on his stool down at the end of the bar by the Cold War-era fridge.

For a while that was it. He was drinking hard and fidgeting, tearing up coasters and checking his watch. He called his wife and told her he’d be working all night, and after an hour or so he made another call, and though he seemed to come back noticeably more at ease, he continued to drink like a newly freed man. Every few drinks I put one on the house and he smiled and acknowledged it, but beyond that we didn’t talk at all.

By one thirty that morning Mary’s was empty but for Everett. I pulled my stool up across the bar from him, not sure how to broach the subject of leaving. Everett wasn’t the kind of guy you had to kick out.

“Tommy, I almost got fucked tonight.” I looked at him but he was just staring down into his empty shot glass. His words were thick and slow. “Whole fucking career, kid. Just—goddamn I was sure of it.” And then he was quiet again, still looking at that empty glass.

“What happened?”

He looked up, eyes unfocused and blinking, and he smiled. “Everything worked out, that’s what happened.” I nodded. I wasn’t going to press it. “You know what, Tommy? Here, I’ll tell ya. Get me another shot, okay?” I poured it and pushed it over and he raised it up over his head with a stiff, wobbly arm. I raised my beer and waited for his toast. “To,” he began, pausing to let a small burp out the side of his mouth, “Detective Steve Pittman, a fucking first-class genius. Saved my goddamn ass.”

“Detective Pittman,” I said, and he smiled and we drank. It was then, slamming down the empty glass and coming up smiling, that he told me.

“Okay,” he began. “I’m going to tell you about this, but you can’t tell anyone, okay? You can’t say a word, Tommy. Frankly, I can’t really tell you most of it anyway, but, still, not a word, okay?” I nodded. “Alright. So, me and four other guys have been working a detail for the last six months and there’s a specific target, do you know what I mean? A guy or a group, we’ll just call ’em ‘The Target,’ okay? So, we’re not headquartered out of regular police station now, we’re off on this site in an industrial complex, couple blowed-out old buildings. Now, recently we made some big discoveries, you know, recordings, seizures, it doesn’t matter what it is, just evidence. We’ll just call it ‘evidence,’ okay? Now we got enough and we make the pitch to the DA and he green lights it and the next day we start making arrests. That night we go back to the building we’ve been using and a big chunk of the evidence is gone. Just fucking gone. Do you get it, Tommy? We are fucked. These guys are going to be arraigned in the morning and we’re going to have to go to the DA and tell him, we got nothing. Let ’em go. I mean, this is setting fire to your career shit. We’re all freaking out, we’re yelling at each other and then, then Detective Steve Pittman,” and here he raises his beer, and again I mirror the gesture, “he gets everyone quiet and he says that we know it was here this morning. We know that, okay? So, he says, we’re all going to sit here and we’re going to tell every part of our day today, everything we remember. We’re going to recreate the day, you see? We’re pissed off and losing it, everyone blaming everyone else, but he calms it all down and makes us do this. So we started, and about an hour in, one of the guys mentions that he saw a CI outside again, and the guy whose CI it was started freaking out like this CI shouldn’t know where we’re based out of. Does this make sense? See, one of the guys had a CI he’d been working with on this case, but he always met him somewhere else, and he’d never told him about this makeshift headquarters. The other guy, he’d seen the CI around twice, once a couple weeks ago, and then again this morning, and he never thought anything of it because he always figured the other guy was meeting him there. So these two, they starting talking about could it be a coincidence, could it be this or that, but me and Pittman, we know. So the five of us saddle up and we start hitting the pads this douchebag usually flops at, but we get nothing. Finally, Castro—that’s the guy who’s been handling the CI—he says that sometimes he crashes over at his sister’s place.” Everett tapped his glass and I poured it full again, and I was trying to pay attention to what he was saying but all I could think about was Pittman’s idea. Get them all together. Recreate the day.

“We find this fucking guy nodded out in front of _The Lion King_ at his sister’s place, a duffel bag with our shit right there next to him. I mean, to talk to this guy you’d swear he’s retarded, but he figured out who we were after, and he followed Castro back one time and came up with this whole plan. He was going to sell it back to, uh, to the Target.”

“Jesus Christ.”

“Fuck yeah,” he said.

“Jesus.”

“Yeah.” We were both nodding and we sat there in silence, lost in our own minds. Him in the absurdity and good fortune of his night, and me in this plan, this idea of finding out what actually happened that night Mom disappeared. I don’t know how long we remained like that. Eventually he slapped a couple twenties on the bar and I jumped at the sound. He nodded once before standing up on virgin legs, teetering before finding a handhold on the bar. He pulled his suit coat back on and walked to the door with deliberate steps, waving over his shoulder as he disappeared. I locked the door. Then I just stood there. The bar was empty and small and dim, and the only sound was the hum of the old fridge and the meager traffic outside. That was it. It was that simple and the idea, seemingly fully formed, took over everything at that moment.

I had to get everyone together. I had to make them do this. I could actually see answers for once. I couldn’t see what they were, you understand, but I could see that they existed, way off in the distance. I began researching interview methods and found references to this kind of group recollection. Apparently it had been used in the aftermath of the My Lai Massacre to determine a timeline. With each discovery I felt the structure of my certainty building, felt the ground beneath my feet grow strong and sure.

That was the night I decided that I would be the one to pick up my brother from prison this morning.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I want to thank Jesse for participating in TNBBC's Tell Me a Story. If you like what you've read, please support Jesse by checking out his book.  Help spread the word by sharing this post through your blog, tumblr page, twitter and facebook accounts. Every link counts! And be sure to check back with us next month for the next installment....

If you are interested in submitting your short story for consideration for this series, please contact me mescorn@ptd.net.


Book Giveaway: The Baker's Daughter

TNBBC is proud to be partnering with Author Sarah McCoy
for next month's Author/Reader Discussion!

In April, we will be featuring her second novel


In order to stimulate discussion, 
we will be giving away 10 domestic copies of the novel
(many thanks to Crown Publishing!)


"In 1945, Elsie Schmidt was a naïve teenager, as eager for her first sip of champagne as she was for her first kiss. But in the waning days of the Nazi empire, with food scarce and fears of sedition mounting, even the private yearnings of teenage girls were subject to suspicion and suppression. Elsie’s courtship by Josef Hub, a rising star in the Army of the Third Reich, has insulated her and her family from the terror and desperation overtaking her country. So when an escaped Jewish boy arrives on Elsie’s doorstep in the dead of night on Christmas Eve, Elsie understands that opening the door puts all she loves in danger. 

Sixty years later, in El Paso, Texas, Reba Adams is trying to file a feel-good Christmas piece for the local magazine. Reba is a rolling stone, perpetually on the run from memories of a turbulent childhood, but she’s been in El Paso long enough to get a full-time job and a full-time fiancé, Riki Chavez. Riki, an agent with the U.S. Border Patrol, finds comfort in strict rules and regulations, whereas Reba knows that in every good story, lines will be blurred. 

Reba's latest assignment has brought her to the shop of an elderly baker across town. The interview should take a few hours at most, but the owner of Elsie's German Bakery is no easy subject. Elsie keeps turning the tables on Reba, and Reba finds herself returning to the bakery again and again, anxious to find the heart of the story. For Elsie, Reba's questions have been a stinging reminder of darker times: her life in Germany during that last bleak year of WWII. And as Elsie, Reba, and Riki's lives become more intertwined, all are forced to confront the uncomfortable truths of the past and seek out the courage to forgive."

This contest will run through March 9th.
Winners will be announced here and via email on March 10th.

Here's how to enter:



 1 - Leave a comment stating why you would like to win a copy.

2 - State that you agree to participate in the group read book discussion that will run from April 15th through the end of the month. Sarah McCoy has agreed to participate in the discussion and will be available to answer any questions you may have for her. 

 *If you are chosen as a winner, by accepting the copy you are agreeing to read the book and join the group discussion at TNBBC on Goodreads (the thread for the discussion will be emailed to you before March 1st). 

 3 - You must leave me a way to contact you (email is preferred). AND you must be a resident of the US!!!!

Good luck!